- Take A Tour
The resort, a fusion of traditional Lanna and contemporary Thai, designed to merge harmoniously with our riverside surroundings
Warm smiles and friendly faces you are likely to meet at The Legend.
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Transfer by bus or private limousine
Located in single or two-storey contemporary Lanna-style buildings of two, four or six units
Located in single-storey buildings of two units designed in contemporary Lanna style
Located in single-storey buildings of two units constructed in contemporary Lanna style
A beautiful accommodation choice, ideal for honeymooners, wedding anniversaries or other ‘special’ holidays
Our biggest accommodation. Spacious, luxury 2-bedroom pool villa for your family. With uninterrupted riverviews and its own pool
The legacy of this region is shared and perpetuated by the local people
Our treatments use ancient remedies handed down through successive generations
The Riverside Terrace, Ou Kao Classic Thai Restaurant, and Suan Chainam BBQ Restaurant and Beer Garden
An infinity pool of over 200 square metres with integrated bubble bed
Located on the river front, this attractive venue is suitable for various important events and special occasions
The Gateway to the Golden Triangle. Chiang Rai the capital of Thailand's northern most province
Doi Tung Temple, Mae Faluang Garden, the Royal Palace, Doi Mae Salong and boat trip along the Kok river
Yao, Long Neck Karen, Lahu and Akha villages; Mae Sai, Golden Triangle, Chiang Saen, etc.
Discovering the hill tribes around Chiang Rai
Golf, cycling and elephant trekking, riverboat rides and more.
- Special Packages
Tawan Duchanee is one of Thailand’s most high-profile and revered artists. Holding a Ph.D. from Holland and now settled in the remarkable compound of Baan Dam (“Black House”) at Nang Lae, just outside the city of Chiang Rai, Tawan’s innovative use of mythic forms and surreal gestures bespeak an artist engaged with contemporary interpretations of tradition. Tawan produces art at various intersections; history and myth, tradition, contemporary modernism, and post-modernism.
His finely-tuned renderings of images and creatures from Thai mythology and popular culture demonstrate a sense of condensed history and say much about the times we live in; be it in Thailand or elsewhere. The past will always be present. Tawan’s juxtapositions, however, are not uncontroversial. In 1971 a number of his paintings were slashed by nationalistic students. The so-called “shock of the new” is important if art is to have any real value for a society. Tawan understands that change can be created by invoking the familiar while re-imaging its essence. Many typical symbols of Thai culture are represented across Tawan’s work in painting, drawing, and Thai architecture, but he re-invents and re-imagines in order to insist on ever-new understandings.