- Take A Tour
The resort, a fusion of traditional Lanna and contemporary Thai, designed to merge harmoniously with our riverside surroundings
Warm smiles and friendly faces you are likely to meet at The Legend.
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Transfer by bus or private limousine
Located in single or two-storey contemporary Lanna-style buildings of two, four or six units
Located in single-storey buildings of two units designed in contemporary Lanna style
Located in single-storey buildings of two units constructed in contemporary Lanna style
A beautiful accommodation choice, ideal for honeymooners, wedding anniversaries or other ‘special’ holidays
Our biggest accommodation. Spacious, luxury 2-bedroom pool villa for your family. With uninterrupted riverviews and its own pool
The legacy of this region is shared and perpetuated by the local people
Our treatments use ancient remedies handed down through successive generations
The Riverside Terrace, Ou Kao Classic Thai Restaurant, and Suan Chainam BBQ Restaurant and Beer Garden
An infinity pool of over 200 square metres with integrated bubble bed
Located on the river front, this attractive venue is suitable for various important events and special occasions
The Gateway to the Golden Triangle. Chiang Rai the capital of Thailand's northern most province
Doi Tung Temple, Mae Faluang Garden, the Royal Palace, Doi Mae Salong and boat trip along the Kok river
Yao, Long Neck Karen, Lahu and Akha villages; Mae Sai, Golden Triangle, Chiang Saen, etc.
- Special Packages
Somluk Pantiboon is an international artist whose award-winning ceramics are flavored by a great sense of the local. Born in Chiang Rai and trained in Chiang Mai, Somluk worked for five years on pottery and printing projects at Khmer and Lao refugee camps before training with master ceramicists in Japan. His training in Japan allowed him to fully understand how a variety of influences and techniques may be absorbed and distilled.
On settling in Chiang Rai, Somluk and his wife, Tamako, founded Doy Din Dang, a showcase and studio for his work. Nestled amidst idyllic scenery, Somluk and Tamako are ever-present to greet visitors, and their café adds to a certain ambiance.
The simplicity of Somluk’s large and robust ceramic vessels belies a complexity of thought and references. Based on the form of seeds, the artist is concerned with cycles of growth and rebirth—ideas that can be generically linked to Buddhist thought—and Somluk has written about his concerns for the detrimental environmental effects of consumer culture.
His ceramics ultimately emerge as objects of contemplation; their organic and tactile forms, with naturally uneven glazes, suggesting a means of thinking about our relationship to nature and the world we live in.